Thursday, October 10, 2019

“Helen” by Hilda Doolittle Essay

The first thought I come up with when reading Doolittle’s Helen is the extreme difference between her poem, and Poe’s poem, Helen. Doolittle and Poe both describe Helen using her face, eyes, legs, hands, and knees; however, Doolittle expresses the speaker’s growing hatred of Helen while Poe adores her deeply. Doolittle makes an interesting choice when she says â€Å"all Greece† instead of â€Å"all Greeks.† She appears to be referring to more than just the people of Greece, but instead the entire culture that lies within Greece. Doolittle expands upon the speaker’s hatred of Helen by including â€Å"all Greece,† especially with her continual use of such dark and descriptive words as â€Å"hate† and â€Å"revile.† I find it interesting that Doolittle starts the first two stanzas with â€Å"all Greece† and the third words describing an extreme dislike, and still begins the final (third) stanza with â€Å"Greece sees unmoved†¦Ã¢â‚¬  still being insulting towards Helen. The entire poem remains with the same theme, and continues being both vivid and descriptive. In the first stanza Helen is described with words like olive and white which are both associated with beauty, but she is also described as having â€Å"still eyes† which creates the idea of a statue like person. The second stanza becomes more involved with Helen being detested by Greece. She is described as wan and growing paler (white). She is remembering what she did wrong in her past, and this begins to change her beautiful appearance. In the end, Helen progresses to either a completely statue-like stage, or perhaps even death. She is unmoved with â€Å"cool feet,† white, and â€Å"amid funereal cypresses.† These words are most associated with death, the skin is a pale color – almost white, and they are cold to the touch, just as Helen is described. She goes into this statue/death stage being hated by Greece for causing the Trojan War. The poem encompasses the fact that Greece has no mercy for Helen, even when she smiles. The only way for her to attain compassion, love, and mercy is through her death.

Wednesday, October 9, 2019

Emily Dickinson – Theme of Love

Introduction Emily Dickinson’s poetry is classified by editors as poems about nature, love, death, religion and others. Though some critics suggest that Dickinson’s poetry should be read chronologically, her poems can be read according to their themes. Since she was the daughter of a preacher her poems are often about God and Christianity, and in some of her love poems it is not certain if she is expressing her love for an actual lover or her spirituality.However, at one point of her life the poet stopped going to church and started satirizing Christian beliefs. Also, Dickinson isolated herself and emphasized her isolation by dressing in white. Her seclusion is present as a motif in some love poems. The death of her father, and nephew, led to an absolute seclusion and these deaths were probably the reason for the darker tone in her later poetry.Biographers have tried to find the source of this passion and intensity that is found in Emily Dickinson’s poems but the re is an enigma when it comes to her love life. They have wondered when and how she encounterd these lovers, was the love reciprocated and how strong the feelings were. Dickinson seemed to have several passionate relationships but it is a fact that she remained unmarried. She did appearently always have a need for one close person who would be her confidant, who would keep her in touch with reality and be an inspiraton for her poetry .In Emily Dickinson’s poetry love can cause an exilirating rush of passion, or leave her with a hollow sense of deprivation, sometimes she questions love, touches various subject matters such as the position of a woman in a man’s world, and, for a woman who did not experience the world to its fullest, she wrote with surprising perception and emotion love poetry which left a mark in the history of literature. I decided to analyse some poems in which Emily Dickinson wrote about love from these different stranding points. My Life had stood â €“ a Loaded Gun† A patriarchal society, such as the one Emily Dickinson lived in, had very controlled social norms and rules. One aspect of it Dickinson described in her poem â€Å"My Life had stood – a Loaded Gun†. It centers around a masculine figure, a â€Å"Master† and the speaker, â€Å"a Loaded Gun†. The â€Å"Master† gives the weapon power and allows it to fulfill its purpose. In return, the gun is there to serve the â€Å"Master† and protect him at all times. Undoubtedly, this poem depicts a relationship between an authoritative and a submissive person.It is with a romanticized tone that it approachesthe theme of love and union, one that can very easily be described by Shakespeare’s â€Å"marriage of true minds† portrayed in his sonnet 116. However, the last stanza of this poem brings this romantic side of it into question. Critics claim that the whole poem is a delusion of the lyrical I, merely a self assuran ce that it is through a union of power that the master and the servant can be brought to their full potential. â€Å"Though I than He – may longer liveHe longer must – than I – For I have but the power to kill, Without–the power to die—â€Å" However, with these lines the poet seems to realize that a life through servitude does not bring one fulfillment, but only the illusion of it. More than once, Dickinson uses the expression â€Å"Master† to refer to males in her poetry. This can be taken as the way of her time and place, 19th century America along with the rest of the world, where men were still thought of as superior and the beholders of all power.With thisin mind, it is no surprise that the object of this poem, the gun, is simply taken up by a hunter, and thus bound to him forever. The image of love depicted in the poem, in which the sole purpose of the female – the gun is to serve her lover, seems to be a childish fantasy of submissive love. The lyrical I’s need to keep safe her master’s head during his sleep shows a prototypical image of a woman whose only aim is to wrap her man in a comfortable cocoon of pleasure, while she neglects her own needs to satisfy him.Furthermore, the woman in this poem is objectified even more than just being rendered through an inanimate object. This can be seen in the third and fourth lines of the second stanza, where the poetess describes how it is to be speaking â€Å"for Him†. The irony is subtle here, and very well masked, for the delightful sentiment that emerges throughout the whole poem, especially stanza number four, is strong enough to keep in shadow the less eminent features. What Dickinson describes as speaking for is in fact being spoken through. As the hunter directs the firearm and shoots at what he likes, so s the woman in a patriarchal setting controlled, in order to be of the most service to the man. In circumstances, the very identit y of a woman is to be submerged to the male requirement, and Dickinson manages to incorporate it into her lyric so exceptionally well that the criticism is masked by brilliant characterization. Some critics claim that this poem expresses Dickinson’s rejection of femininity through the hunting of the doe. The female deer stands for all that is womanly, in contrast with the male hunter and the gun that has discarded its gender.The question of homosexuality has been studied in this context, but it is perhaps the rejection of female traits for the reason that a life of submission to a dominant animalistic hunter is valued to be nobler than the embracing of one’s true self. Last, but not least, this poem can also represent the idea of a woman as a poet, one that possesses knowledge and power which make her destructive. Critic Adrienne Rich believes that creation by a woman is aggression, and that it is both â€Å"the power to kill† as well as being punishable. The un ion of gun with the hunter embodies the danger of identifying and taking hold of [the woman’s] forces, not least that in so doing she risks defining herself – and being defined – as aggressive, is unwomanly (â€Å"and now we hunt the Doe†), and is potentially lethal. † (Rich) She continues that this poem is about the female artist of the 19th century, especially as the poet, unlike a novelist, is much closer to their subject. â€Å"Poetry is too much rooted in the unconscious it presses too close against the barriers of repression; and the nineteenth-century woman had much to repress. (Rich) â€Å"She rose to His Requirement – dropt† As a writer who was not only conscious of her time, but also very active in social critique through her poetry, it is no surprise that Emily Dickinson wrote about the institution of marriage, which practically defined a woman’s life. â€Å"She rose to His Requirement – dropt† is a poe m depicting the idea of a Victorian marriage in which it is the wife’s sole purpose in life to satisfy her husband, with her own needs coming last. The first two lines of the first stanza clearly set the terms on which this marriage is built. She rose to His Requirement – dropt The Playthings of Her Life† The role of the man is very well represented by the capitalization on the word â€Å"His†. This can not only be interpreted as respect for the husband, but it can be related to the poem mentioned earlier â€Å"My Life had stood – a Loaded Gun† where the lyrical I relates to her lover as â€Å"Master†. This image of a husband as an omnipotent pillar of power transcends the worldly abilities of men, and turns into a God of the household and it is to the needs and wishes of this Lord that a wife needs to â€Å"rise†.The position of women is especially shown through the phrase â€Å"—dropt The Playthings of Her Life†. Not only is a woman expected to spend her life in marriage through servitude, but she is to be rid of all that gives her pleasure. Perhaps this poem can be interpreted as Dickinson’s fear of commitment, her being frightened of losing her own â€Å"Plaything† – her poetry. â€Å"In considering the opposition of â€Å"Requirement† and â€Å"Playthings† (mature duty versus childish frivolity), we would do well to remember how important play was to Dickinson. For Dickinson the poet, the play of language and imagination was primary.She believed that her father’s tragedy was his inability to play, and she once wrote, â€Å"Blessed be those who play, for theirs is the kingdom of heaven. † Something in her recoiled from adult womanhood and made her wish she could remain a child. In a famous letter to her friend Susan Huntington Gilbert Dickinson (who later married Emily’s brother, William Austin), she anticipated with a mixture of fa scination and dread the prospect of being consumed by the blazing sun of a husband’s demands. Certainly, she had ample opportunity to observe in her parents’ marriage a union in which the man’s requirements dominated. (Leiter 173) In the second stanza of the poem Dickinson tells, ironically, what exactly the taking on of â€Å"honorable work† costs a wife. Not only does she sacrifice her pleasure, but also any chance of greatness – â€Å"Amplitude†, the sensation of fulfillment – â€Å"Awe† and finally, she sacrifices her â€Å"Gold† which represents her youth and her potential which are now spent from being used for Him. The third, final, stanza focuses on what is still left of the woman in a marriage. Her true self – her thoughts and opinions remain unmentioned, uncared for by the husband.Dickinson uses the sea to illustrate her point. The ideas and beliefs of a wife are not only hidden deep within the unexplore d sea, but they are also mixed, covered with weeds. A man caching a clam must first go through the barrier, in this case society’s limitation of a woman’s freedom, in order to get to the treasure that is inside – the pearl. Finally, the last two lines of the third stanza demonstrate the lonesome position of a constrained woman. â€Å"But only to Himself – be known The Fathoms they abide—â€Å" It is only the oyster, or the woman, who truly knows its inner self.Dickinson’s poem is a way of criticizing the society for forcing such unfairness onto a woman. She, however, chose a different way of life. Foregoing the possible joys of marriage, Emily Dickinson chose to pursue â€Å"the poetic calling that enabled her to set her own â€Å"Requirement† and to retain her â€Å"Playthings† as essential tools of her art. † (Leiter 174) â€Å"If you were coming in the fall. † This is a love poem in which Dickinson writes abo ut her loved one who is away from her. The distance between her and her lover is not an obstacle for her feelings, and she is yearning to meet with him.She refers to herself as a housewife in the first stanza, as a woman waiting for a man. She is saying that for her it is not a problem to wait for a season to pass until her lover comes. She would simply chase the summer away like a fly and she would do it with â€Å"a smile and a spurn† (bartleby. com) which is understood as her being proud to do so and doesn’t mind waiting. A season becomes a year in the second stanza. However, even this is not a problem for she will simply â€Å"wind the months in balls and put them each in separate drawers† (bartleby. om) and make it easier for her to bare the length of time and just wait until it is time for them to meet. She makes it easier for herself to wait for this moment, by diminishing a year into months. A year turns into centuries in the third stanza. Her lover is o nly lingering, but she believes he will certanly come. In the fourth stanza, time is not limited anymore but becomes eternity, meaning that she will wait for her lover forever. She implyes that she doesn’t mind dying and casting her life away if it means being with him in the end. She would toss away her life â€Å"like a rind,†(bartleby. com) as something that is not important.While the first four stanzas start with â€Å"If† which implies something hypothetical and something that is only a possibility the final stanza begins with â€Å"But now,† which is a return to reality and the poet is not sure how long she must wait for her lover now. Furthermore, she is not sure if they will meet at all, or is he even coming. Time is annoying her like a â€Å"goblin bee† (bartleby. com) representing something bad, or evil. This â€Å"goblin bee† is not â€Å"stating its sting† (bartleby. com) and this unveils her uncertainty, She acutally does n’t know what the future brings. What if I say I shall not wait? This poem is about separation as well.Lovers are here apart because of others, and not their own will. The â€Å"I† of this poem is very eager to see her lover and she will break free by forse if needed from those who are keeping her away from him. It seems as if she is threatening to escape and asking her lover what will happen if she manages to escape and come to him. She writes that she will break down the gates that are confining her, flee away from the guard and set herself free to come to her loved one. Further she conveys that now that they are together no one can separate them anymore. The guard may call her and the guns may beg her to come back but she will not.Everything else is meaningless and unimportant now that they are together. Conclusion Dickinson’s love poetry is thought of as her most passionate and emotional. From her standpoint, of a socially isolated woman in a literary predom inantly man’s world, we are able to read, analyse and enjoy her fascinating metaphors and views on marriage, love, longing, heartache and cripling loneliness. What I personally found endearing in her poems is the belief and inestructible hope she expresses in some poems, and the acceptance of the harsh reality which she manages to take in, resorting to eligion, spirituality an philosophy. Progressive thinking and ideas on marriage and the position of women in society and literature colour her poems about the dinamics of relationships between men and women. She did not refrain from conveying her deepest thoughts and sentiments, but also her attitude towards literary conventions and social norms and expectations. Considered as one of the greatest American poets of all time, Emily Dickinson’s legacy and views on love will always provide readers and writers with inspiration and enlightenment.

Tuesday, October 8, 2019

Plato's Timaeus Essay Example | Topics and Well Written Essays - 1500 words

Plato's Timaeus - Essay Example 8). Moreover, it is â€Å"apprehended by understanding rather than senses. According to Platos cosmology, â€Å"the cosmos is the physical world†. Everything will come and pass away and supported by the opinion and perception of sense. Plato describes Cosmos that it became into being and was created with world of forms model, â€Å"The cosmos itself came into being, created using as its model the world of Forms. â€Å"Plato, in naming the Kosmos generation, he was simply trying to bring the fact that the account has less representation of faith in likeness known as the â€Å"likeness of an eternal model" (Plato & Donald, p 7-p. 8). In general, it means that the account is actually not probabilistic. Plato also describes the Cosmos as a living being simply because the Cosmos is based on a living being. Moreover, it is unique as it has souls and spherical shape due to its perfect and beautiful shape. Various presocratic philosophers also support Plato’s Cosmos nature and composition they include Heraclitus, Parmenides, Anaxagoras as well as Philolaus. The relationship between Plato’s and these dialogues from other philosophers has led to the rise of acrimonious and fruitful debate. Heraclitus also tried to examine the Cosmos and its nature, which made him offer a cosmological account concerning the nature of the physical world. He proceeds deeper than the Plato in inquiring and investigating the physical nature of the world (Plato & Donald, p 6-p. 8 ). Being one of the Presocratic philosophers, he further supports the nature of the world as containing an enormous variety of objects that will be, and have always been present. He claims, â€Å"all things on earth simply came from a common source or any other kind of stuff. The statement â€Å"that which always is, is that which becomes† by Plato is in line with the Parmenides passage (B1.30, B8.32-41). Plato also describes that order in every way is always better

Monday, October 7, 2019

Computations Assignment Example | Topics and Well Written Essays - 250 words

Computations - Assignment Example The actual vehicle operating cost for the month was $6,330. The vehicle operating cost in the planning budget for December would be closest to: 14: Ofarrell Snow Removal’s cost formula for its vehicle operating cost is $1,840 per month plus $377 per snow-day. For the month of November, the company planned for activity of 14 snow-days, but the actual level of activity was 19 snow-days. The actual vehicle operating cost for the month was $9,280. The vehicle operating cost in the flexible budget for November would be closest to: 15: Raymond Electronics Corporation has a standard cost system in which it applies manufacturing overhead to products on the basis of standard machine-hours (MHs). The company had budgeted its fixed manufacturing overhead cost at $42,700 for the month and its level of activity at 2,000 MHs. The actual total fixed manufacturing overhead was $44,100 for the month and the actual level of activity was 1,800 MHs. What was the fixed manufacturing overhead budget variance for the month to the nearest dollar? 21: Glassett Corporation is considering a project that would require an investment of $62,000. No other cash outflows would be involved. The present value of the cash inflows would be $70,060. The profitability index of the project is closest

Sunday, October 6, 2019

Culture and Health Applying Medical Anthropology Essay

Culture and Health Applying Medical Anthropology - Essay Example Examples of risk factors are: smoking, bad sexual practices and bad hygiene, while examples of protective factors are: sexual restrictions such as monogamy. It is due to these risk and protective factors that some cultures are known for some diseases, while some other cultures stand lesser risks of contracting certain types of diseases (Winkelman 20). There are some environmental and social conditions that affect the health of my community, Montclair, New Jersey. One of the environmental conditions that have had a negative impact on New Jersey is traffic congestion. This is due to the increase in the volume of vehicles that ply the Montclair route from time to time. The effect that the increased volume of vehicles in the city has on the health of the residents of the city is that it makes them have climate-related health problems. The emission of greenhouse gases by these vehicles causes air pollution and the effect is that it would alter the balance of the climate in the region and the world at large (Silver 27-29). It has also been observed that the number of smokers in the city have increased rapidly. Smokers stand the risk of contracting heart related diseases and could also get diseases that would affect some vital organs of their body.

Saturday, October 5, 2019

A central assumption made in Mean-Variance Analysis and the Capital Essay

A central assumption made in Mean-Variance Analysis and the Capital Asset Pricing Model (CAPM) is that investors prefer to invest in the most efficient portfolios available - Essay Example To determine an efficient portfolio, an efficient frontier is drawn. The efficient frontier is a graph drawn to exhibit different portfolios with a different combination of returns and risks. To achieve such optimal portfolio, there must be a combination of the lowest risk with the highest expected return. The figure below shows the efficient frontier. The efficient frontier has a Y- axis that measures the anticipated rate of return (ER) and X- axis that measures the standard deviation (∞). The curve JKL drawn in the graph is the minimum variance frontier which combines the risk of a portfolio and anticipated return on portfolio to minimize the return deviation at distinct levels of return expected. On the efficient frontier, there are some points that are found either below or above it. Those portfolios that lie below the frontier provide an inadequate return for a given risk hence they are sub-optimal. In other words, they are attainable but insufficient. Conversely, those that lie to the right of the frontier have higher risks given a certain rate of return. In theinvestment of securities, the main objective is to earn returns from a respective investment. High-risk with high returns is always avoided because they require high capital for investment. An investor can anticipate earning a lot from a given security but because of the fluctuations of the market prices and inflation, such investor can incur a loss simply because the future movements of the portfolio cannot be predicted (Fama 2009, p.452). Given an axiom that all investors fear risk, none of them will be willing to invest in a portfolio that has a high possibility of a loss. However, investors prefer a portfolio that has low-risk because they can be certain of the expected returns from a certain portfolio. Though they will not be getting the maximum returns they wish, they are able to get the returns for unforeseen future because

Friday, October 4, 2019

Culture Development Essay Example | Topics and Well Written Essays - 1750 words

Culture Development - Essay Example A few examples include the learning a belief, way of doing things, even if they do not share a biological relationship which has led to development of the human "instincts". According to anthropologist, culture is not a product of biological evolution, but it is rather a mean of human adaptation to the world. Culture enables humans to change rapidly to the physical changes in the earth. The cultural phenomena is universal however, cultural adaptations changes from place to place with different set of meanings from place to place and people to people. As the culture has a symbolic system, it meanings also differs from place to place with changing beliefs, myths, rituals, tools making, house design, living and eating habits. A few anthropologists differentiate between symbolic and material culture, however since 1980 majority of archeologists agree, that the symbolic culture and material culture are interwoven and symbolic culture is expressed through material culture. Culture normally has certain unique characteristics such as: (a) symbols, which is an abstract way of referring to objects, ideas and feelings with the help of language;(b) culture is shared with in a group; (c) culture is not hereditary, but learned, even though people differ biologically, culturally they can have similar habits and behaviour; and Human being compr(d) Culture is adaptive. People use culture to quickly adjust and adopt to the changes in the world. Culture as a symbol Human being comprehends and communicates in symbols. It is these symbols, which allow people to develop complex ideas and thoughts with other people and language and arts are symbolic in nature, which makes it easier than gestures to express human emotions through symbols. A symbol some times has a relation or may not have any association with an object or idea. For example for Americans, the combination of white, blue and red colour has special meaning, the people in China consider red colour sacred one. In reality such colour may not have any practical purpose, but if these colour are combined in a shape of flag, people are willing to die for it as it stands as a symbol of honour for a nation. In order to convey, new ideas, human being has to constantly create new symbols and add more meanings to their expressions and feelings. Sometimes, one word is used to convey an idea, and some times combination of words are used to convey some deeper meaning. Human beings right from birth are able to construct and comprehend such complex symbols. Language provides a mean to store and communicate such expression, but some times it exceeds the capacity of the non-human animal. For example Chimpanzees, which are the closest genetic relative to human have few unique calls and gestures to communicate with each other. Chimpanzee in the lab experiments have been taught to communicate in sign language and were able to master a vocabulary of few hundred words, however chimpanzees do not have developed vocal tract like human beings. Culture through Learning Human beings are not born with culture, it is rather learned by living in a society. In all human societies children learn culture by imitating adults through the process of enculturation, which takes years to complete. In all human societies, children learn culture from adults and this process is called enculturation, or cultural transmission. However, it is not only